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#1202 - 01/12/10 09:46 AM
Keys through Marshall
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Registered: 03/14/09
Posts: 561
Loc: Pittsburgh Area
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I've had some really good experience playing keys through an old Marshall combo amp. I've really gotten to enjoy the color that it brings to the piano, clav, wurlitzer, and other sounds, whereas a traditional keyboard amp now just feels too clean and hi-fi. The Marshall gain sections give the keyboard just a little bit of dirt, even on the clean channel, and for rock and jazz gigs, that little bit of edge (while I think it's barely noticeable to listeners) has a big difference in how the music gets registered. We understand harmonics (or at least our brains notice them) in a far more complex way than we could process them if we had to stop and think about it, and I think that bit of edge really gives us a tighter sound as a group.
What do you guys think? Straight PA, Keyboard amp, or guitar amp? What's your experience?
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Music Gear Review - Keyboard/MIDI and Songwriting Editor/Mod
"I don't like it, and I'm sorry I ever had anything to do with it." - Erwin Schrodinger, on Quantum Physics
Keys: Nord Stage 88, Nord Lead 2, Yamaha W7
Upton Bass Custom Upright, BSX Allegro EUB, '80s Peavey T-40, MIM Active Jazz Bass, Godin BG-5, Fender Bassman 100, `68 Fender Bassman 50 head, Gallien-Krueger Fusion 550, SWR (pre-Fender) Goliath III 4x10, Markbass 2x10 Traveler
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#1207 - 01/12/10 01:56 PM
Re: Keys through Marshall
[Re: ShackMan]
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Registered: 11/25/09
Posts: 691
Loc: Pittsburgh, PA
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Of course back before they had keyboard amps, a lot of players just ran them through a bass amp or a guitar amp. I didn't see dedicated keyboard amps till the late 1970s, and most of those were simply bass amps with a horn added and three or four inputs. I think a bass amp with a tweeter would be good for most keyboards, but I can see whay a Marshall would work, too. It seems to me that Jon Lord of Deep Purple ran his B3 through Marshalls, but he also had a Leslie speaker. With the electronic rotating sound built in to so many keyboards now, you don't need that Leslie.
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Dave Molter, MGR Managing Editor/Bass Guitars Editor ----------------------- "Bass is the foundation of the band." -- William Murderface, Dethklok bassist ----------------------- Lakland 55-94; Hofner Icon; Kala U-Bass acoustic & solidbody; Stagg EUB; Genz-Genz Shuttle 6.0; Line 6 Lowdown Studio 110
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#1208 - 01/12/10 05:26 PM
Re: Keys through Marshall
[Re: Dave Molter]
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Registered: 03/14/09
Posts: 561
Loc: Pittsburgh Area
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Maybe I'm just a little snobby when it comes to Leslie's, but I feel like I have to have a Leslie or it isn't real, haha. I WISH I actually did have one. I worked with a Brazillian funk group for a while in school, and the organist had a Hammond/Leslie combo. I was green for it from day one until he had to go back to Recife.
_________________________
Music Gear Review - Keyboard/MIDI and Songwriting Editor/Mod
"I don't like it, and I'm sorry I ever had anything to do with it." - Erwin Schrodinger, on Quantum Physics
Keys: Nord Stage 88, Nord Lead 2, Yamaha W7
Upton Bass Custom Upright, BSX Allegro EUB, '80s Peavey T-40, MIM Active Jazz Bass, Godin BG-5, Fender Bassman 100, `68 Fender Bassman 50 head, Gallien-Krueger Fusion 550, SWR (pre-Fender) Goliath III 4x10, Markbass 2x10 Traveler
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#1209 - 01/12/10 06:18 PM
Re: Keys through Marshall
[Re: ShackMan]
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Registered: 11/25/09
Posts: 691
Loc: Pittsburgh, PA
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Yes, nothing sounds like Leslie. But they were underpowered. You had to have about 10 of them to really play loud. I think they cost around $3000 now.
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Dave Molter, MGR Managing Editor/Bass Guitars Editor ----------------------- "Bass is the foundation of the band." -- William Murderface, Dethklok bassist ----------------------- Lakland 55-94; Hofner Icon; Kala U-Bass acoustic & solidbody; Stagg EUB; Genz-Genz Shuttle 6.0; Line 6 Lowdown Studio 110
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