History:
Purchase: $325 used, minor fret wear, etc no case,
from the Guitar Center, Colonie NY USA.
It caught my eye because of the very wide
full 19mm 5-string spacing and reasonable
price, so I played it. It was sounding
very weird, sort of way too huge on the
attack, overwhelming the rest of the note.
So I figured it was a great candidate for
a conversion to fretless.
Also, the set-up was exceedingly low with
the neck very flat yet it played with no
undue buzzing, so I knew the neck & frets
were in real good shape.
What I Like About This Yamaha BB405 4-knob: Maybe it was just those 2 amps at the GC
that made it sound weird. I've plyed it
out a 4 times now and although the attack
is very pronounced, it has some wonderful
humming fundamentals and OK sustain. It's
one of the only basses that I won't want
to convert to flatwounds. It has a very
aggressive sound in all its tones and has
a huge palette of tones [from just 2 EQ
knobs, B&T]. I think the strings on it
are Ken Smith. Anyway, it's not "biting"
like a Stingray, even though the attack
is even more strongly boosted. All EQ
settings sound musical, and it's free of
the excess twang [dial it up only if you
really want it]. It's got a great deep
end when needed, but it's well defined,
not all muddy or boomy. B-string sound
very clear, right down to C, and is even
OK on the B.
It has a PU balance knob instead of the
[undesirable] 2 seperate gain knobs, and
has no neck dive even with a smooth nylon
web strap, despite its extra wide neck.
What I Do NOT Like About The Yamaha BB405 4-knob: Came with gold hardware. Slight sizzle at
the less bass-heavy EQ settings when the
the PU balance is far off-center. Tuner
peg for B-string should have been further
from the nut [only 1.75"] but putting a
tubular spacer on the ball-end of the B-
string solves most of that.
Yamaha BB405 4-knob Quality Rating: Medium weight body, 1-piece maple neck
with 24 frets on rosewood board. Full
"P-bass" string-to-string spacing, wide
as the widest 5-strings. Typical Gotoh style cast bridge and tuners. Plastic
nut, flat peghead with 2 string trees.
Rod access at neck-body joint. 4-bolt
neck joint, with plate. Scale is 34",
profile slightly flattened but meaty.
New BB405's have a 3-knob setup [and no
gold on the hardware] but this one has
a 4-knob deal with bass, treble, master
gain, and PU balancer. Also newer 405s
have narrow PU covers looking like jazz
PUI's. Mine are wider, as on the TRBs.
Minor sizzle when strongly favoring one
one PU is much less than is typically
heard from a jazz-bass.
Review Summary: Yamaha never ceases to amaze me, and
always at a reasonable cost. This ax
has a million personalities and very
simple controls to access them. Has
clear low-end groove, humming mids,
and the highs are clear but not pingy
or all twanged out. Weight/balance
and playability are very friendly.
Rating of this Yamaha product: 4
This Yamaha BB405 4-knob Bass Guitars Review Submitted By: Golem
Review Date: 2004-12-20
Review Usefulness Rating: 5 out of 5. 20 reader(s) voted.
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© Chris Bereznay - Gear Review Network / MusicGearReview.com - 2000
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