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Most Recent Bass Guitar Amplifiers Reviews Found: 10

Genz Benz Shuttle 3.0 Head - Golem 2010-02-05 - Some will say 'The Shuttle is a clean neutral amp, so comparing it to an Ampeg is almost an apples v...

Eden ECX112N Combo - Laklander 2010-01-20 - The Eden ECX112N combo bass amp is portable and very well constructed. However, it wasn't 'plug and ...

Markbass Traveler 102P Cabinet - ShackMan 2010-01-19 - Crystalline tone. Ergonomic construction. Massive power at just over 20lbs. Ability to fill clubs...

Orange AD200 B Bass Head - Laklander 2009-12-12 - The Orange Orange AD200 B Bass Head delivers old-school tube bass sound, but at a cost -- $2200 for...

Genz Benz Shuttle 6.0 112T Combo - Laklander 2009-12-06 - The Genz-Benz Shuttle 12T combo is perfect for players who need a small, portable, lightweight amp t...

Line 6 Lowdown Studio 110 - Laklander 2009-11-30 - The Line 6 Lowdown Studio 110 delivers what it promises: decent preset amp models at the touch of a ...

Dynacord BS 412 - B-many 2009-10-20 - I've being playing for 32 years and own many gear. If it is stolen, I would buy it again. But nowa...

Ampeg BA115HPT - MajorTom 2009-06-17 - The Ampeg BA 115HPT is a bass combo amp that I could not be happier with. I gig out a lot, so I appr...

Gallien Krueger 800RB - pjs101974 2009-03-14 - I would definitely recommend this amplifier to anyone who wants a reliable, great sounding unit!...

Trace Elliot Boxer 65 - TJ 2008-12-07 - It is a good amp to own for certain applications. It has good tone and is fairly loud. I happen to l...

Bass Guitar Amplifier Buying Guide

Bass Guitar Amplifier Buying Guide

Perhaps you just purchased a new electric or acoustic-electric bass guitar, and you’re looking to pair it with a serious kick ass bass amp, or maybe you’ve been playing through the same tubes for years and are looking to mix it up with a new solid state model. Whatever your needs are, the folks at MusicGearReview.com have put together a bass guitar amplifier buying guide to help you out. There are lots of considerations, though, so sit back, hang tight, and let us walk you through some of the most important considerations when shopping for what can be a somewhat expensive piece of music equipment. As we mentioned earlier, there are numerous things to consider when plunking down your hard earned cash on a new bass amp. First off, you should consider the venue – how often and in what type of environment are you looking to use your new bass amp? Next, you probably need to understand how much power you’re going to need, which will translate into decisions related to whether you should go for a combo amp, or head and cabinet and also how large you want your speaker cones to be. Once you understand the size and scope of what you’re looking for, the next thing to probably consider is whether you want to go with a solid state amp or a tube amp, and whether or how much onboard effects and modeling are going to play in. Once all of these things have been considered, and you have determined a price point that you’re willing to shop in, then (and only then) you can say you’ve done your due diligence and are ready to buy. So let’s start off in the order we mentioned above. Let’s talk about venue.

Types of bass amps

When we talk about the type of bass amp you’re looking for, we’re primarily interested in whether you’re looking for a combo amp, or a head / stack type of arrangement. Most often, this will have to do with how much power you need, which ultimately translates into what type of environment or venue you need the amp for primarily. If you are looking for something that can be used in your bedroom and perhaps with your garage band, you’re definitely going to want to look at a combo rig, however, if you think there’s a chance you may gig out, or you’re a relatively experienced musician that plays live venues frequently, then obviously a head/stack is what you’re looking for. Combo amps are just what they sound like – the amplifier and the speaker cabinet are built into the same unit. Sometimes combos can come with multiple speakers (such as two twelve inch cones), but often it’s just an amp and a single speaker configuration. Don’t knock them for their size, though! Some combo’s can play as close to or nearly as loud as some head and stack configurations so it’s not always an easy decision. If you’re looking to play larger venues more frequently, such as a hall, club, or even outdoors, you really don’t have a choice but to go with something that has a lot more power and projection. This is where the head/stack will come into play. Most bass amp heads are rated at around 100 watts or more, which is a good place to start when driving multiple speakers in a cabinet enclosure. Once you’ve determine whether a combo or head is best for you, then you need to start thinking about the number and size of your speakers.

Bass Amp Speakers

Let the controversy begin! Some bass players argue that a 4x10 cabinet will sound tighter than a 4x12 or 2 fifteens any day of the week. A lot of what is coming out of those speakers, however, depends on how much power you are driving through them and the distance those bass frequencies have to travel before pounding someones ears (or body!). Regardless, speaker size is largely a matter of personal taste. Many bass players do opt for a 4x10 cab. This size cab can drive a decent room, is a common can size, and is always stackable so sometimes it is a better choice. Bass waves generated by 10 inch speakers can seem a little tighter in a smaller venue. Similarly, getting down to some really low frequencies may require larger cones, but the design and qualities of the cabinet come into play in a big way also. A cabinet that is sealed and not ported will have a tighter sound, regardless of the type of speaker mounted inside. Essentially you need to do your research and determine above all, what type of music will you be playing the most, do you need a tight articulate tone or are you looking for something that will bitch slap your audience? The important thing, though, is that size does matter, but it’s not the only factor, so make sure you have considered all the angles before deciding.

Do you tube? Or are you the solid type?

As with every other consideration, you will eventually need to determine whether you are going with a solid state bass amp rig, or tube driven bass rig. The two primary factors that come into play here are cost and tonal quality. Solid state bass amplifiers can provide plenty of power for very affordable prices and are normally the best bet for most folks. The major difference is in the warmth of the tone, and how the amp will sound when driven past it’s limits. If you’ve got the money to spend, however, or are into a real vintage tone, then you’re definitely going to want to consider a tube driven bass amp. As with any other decision, the choice is very personal. For most beginners we’d recommend a good solid state combo amp, but if you’ve got the cash and are a little more experienced (are you experienced?) we’re thinking you’re going to be leaning towards tubes anyway.

Modeling and Built-In Effects

Many amps these days come with built-in effects and modeling. Modeling is where the tones of another amp head and cabinet combo are reproduced electronically to give your rig the sound of other popular set ups. Built in effects are exactly what they sound like, typical effects like reverb, chorus, delay, flange, compression, and others are built into the bass amplifier section and permit you to dial in different combinations of these effects to modify your tone. It has always been our opinion, however, that you simply buy the best amplifier and cabinet that can with your money and worry about adding effects later. Nowadays it’s sometimes hard to avoid amps that include all of these goodies, but we feel you should spend your hard earned cash the smart way and add effects and modeling later with a separate pedal, multi-effects unit, or board that is built specifically for that purpose.

Submit Your Tips

If you’re an accomplished bassist or if you just have some tips to share based on your recent purchase experience, please submit them to us via our contacts page for posting here. MusicGearReview.com is for and by musicians and only through submitting your best advice can we hope to help as many folks as possible. After all, it’s about getting the best out of your hard earned money, right?



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Latest Bass Amp News

Ampeg offers two new SVT Pro bass heads
Long before boutique bass amps like Markbass, Genz-Benz and Ashdown appeared on the scene, the Ampeg SVT tube heads held down the bottom end in the backline at concerts. Ampeg branched out into solid state technology some time ago, and the company has released two new heads the popular SVT-PRO Series, the SVT-7PRO and the SVT-8PRO , one of which has enough power to bring down small buildings or drive groundhogs out of their burrows, fer sure.

The SVT-7PRO p(Click Headline For More!)



Ampeg rolls out three new NEO bass cabs
Among the best innovations of the last 10 years for bassists tired of lugging around small cabinets that weigh 80 pounds is the NEO (neodymium) technology that drastically reduces speaker weight. Thanks to NEO, a well-designed and ported 112 bass cab that weighs less than 30 pounds can often put out as much bottom as a 215 cab that weighs three times as much.

Taking advantage of the NEO technology, Ampeg has announced a new line of bass enclosures built to handle high wattage amps(Click Headline For More!)



Orange releases 100-watt 1x15 bass combo
RELEASE

Orange has released a 100-watt Class D amplifier version of its popular CR50 BXT Bass combo. The new CR100 BXT features a 15” speaker, built-in digital tuner and line-out/auxiliary-in sockets. As with other Orange bass amps, it has black grille cloth and is built using road-rugged, tried-and-tested materials. In 2010, Orange is also offering an optional black Tolex finish. Pricing information on the CR100 BXT is not yet available.(Click Headline For More!)



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